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23 de ago. de 2018 · What Eno achieves on Another Green World is an emotional connection, using (and here is the album’s crowning achievement) a new musical language. The result is an album that feels very personal and completely alien at the same time. The stunning opening sequence of “Sky Saw” (which sounds like a holdover from his last record, Taking Tiger ...
Viola – John Cale. Bass [Anchor] – Paul Rudolph. Drums – Phil Collins. Electric Piano [Rhodes] – Rod Melvin. Fretless Bass – Percy Jones. Viola – John Cale. 3:26: A2: ... Another Green World (Remastered 2004) 1:42; Sombre Reptiles (2004 Digital Remaster) 2:22; Little Fishes (2004 Digital Remaster) 1:35; Golden Hours (2004 Digital ...
Another Green World - Eno (Originally released on Island Records) Side 1 (Original Track listing:) Sky Saw Phil Collins - Drums Percy Jones - Fretless Bass Paul Rudolph - Anchor Bass Rod Melvin - Rhodes Piano John Cale - Viola Section Brian Eno - Snake Guitar, Digital Guitar Over Fire Island Phil Collins - Drums Percy Jones - Fretless Bass Brian Eno - Synthesizer, Guitars, Tape St. Elmo's Fire ...
27 de mar. de 2024 · Up until Another Green World, it wasn’t difficult to follow where Brian Eno was going with his newfound solo career. While no one would mistake him for an out-and-out rock songwriter, both Here Come the Warm Jets and Taking Tiger Mountain (By Strategy) have one foot rooted in that tradition, in that sound he helped develop as a member of Roxy ...
Another Green World. By Charley Walters. May 6, 1976. Eno’s eccentric music doesn’t stray beyond rock’s accustomed borders so much as it innovates within those parameters. Another Green ...
Viola [Viola Section] – John Cale. Bass [Anchor Bass] – Paul Rudolph. Drums – Phil Collins. Electric Piano [Rhodes Piano] – Rod Melvin. ... Another Green World (Remastered 2004) 1:42; Sombre Reptiles (2004 Digital Remaster) 2:22; Little Fishes (2004 Digital Remaster) 1:35; Golden Hours (2004 Digital Remaster)
Another Green World. di Luca Mangogna. La seconda metà degli anni 70 si prefigura come una sorta di terra mezzo nella storia della cosidetta musica leggera, ed è presto detto spiegarne i motivi che si annodano principalmente nell'esaurirsi della spinta del progressive, dello ...
