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Amused to Death . Roger Waters. ROCK · 1992 . Preview. September 1, 1992 14 Songs, 1 hour, 12 minutes ℗ 1992 Columbia Records, a division of Sony Music Entertainment. Also available in the iTunes Store . Music Videos. What God Wants, Pt. I (2015) [Digital Video] Roger Waters. Amused to Death (1992)
《Amused To Death》 专辑是 Pink Floyd 乐队前贝司手 Roger Waters 在离队后于90年代初创作完成的一部个人专辑，它与 Roger Waters 在 Pink Floyd 时期创作的《The Wall》和《The Final Cut》一起可通称为“迷墙三部曲”，因此在它的身上你可以清楚地感受到上两部作品所打下的深刻烙印。他的唱片公司在发行时对此 ...
Amused To Death — третий сольный студийный альбом Роджера Уотерса, бывшего лидера группы Pink Floyd (если не считать его саундтреки к фильмам «The Body» и «When the Wind Blows» ()), вышедший в 1992 году.. В хит-параде Великобритании альбом ...
Amused to Death é o terceiro álbum de estúdio de Roger Waters,.Lançado em 1992. Uma versão remasterizada e remixada foi lançada em 2015, produzida por Waters e James Guthrie [1].. O álbum, cujo titulo (em tradução direta) significa "Entretido até a morte", apresenta uma forte crítica à indústria cultural e a rotina das sociedades modernas em que a informação é despejada ...
24 de jun. de 2015 · In a time when infants routinely stare at tablet screens and an android isn’t just a synthetic human-like organism dreamed up by Philip K. Dick, Roger Waters must be feeling pretty smug about the prescient aspects of 1992’s Amused To Death. His third solo concept album indicted a screen-obsessed society. It follows a monkey flicking ...
7 de sept. de 1992 · This species has amused itself to death Amused itself to death Amused itself to death We watched the tragedy unfold We did as we were told We bought and sold It was the greatest show on earth But then it was over We oohed and aahed We drove our racing cars We ate our last few jars of caviar And somewhere out there in the stars A keen-eyed look-out
15 de abr. de 2015 · With Amused to Death, Roger Waters sounded the alarm about a society increasingly and unthinkingly in thrall to it's television screens. Twenty-three years later, Amused to Death speaks to our present moment in ways that could scarcely have been anticipated two decades ago.
