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  1. Ewan McGregor directs and stars alongside Jennifer Connelly and Dakota Fanning in this acclaimed film adapted from Philip Roth’s Pulitzer Prize-winning novel...

  2. American Pastoral (Pastoral americana) es una película dirigida por Ewan McGregor con Ewan McGregor, Jennifer Connelly, Dakota Fanning, Peter Riegert .... Año: 2016. Título original: American Pastoral. Sinopsis: Seymour Lvov, “el Sueco”, es un exitoso hombre de negocios con una vida perfecta que ve como su estabilidad familiar peligra por la turbulenta situación política ...

  3. Pastoral americana (American pastoral: ‘pastoral estadounidense’) es una novela escrita en 1997 por el escritor estadounidense Philip Roth (1933-2018), con la que ganó el Premio Pulitzer y la National Medal of Arts.. Argumento. El libro parte de la ficción de que un escritor relata la vida del Sueco (sobrenombre del protagonista). El Sueco es el prototipo de héroe al que admiraba toda ...

  4. American Pastoral finds debuting director Ewan McGregor's reach exceeding its grasp with a well-intentioned Philip Roth adaptation that retains the form, but little of the function, of its source ...

  5. 3 de feb. de 1998 · American Pastoral is part of a trilogy by Philip Roth, in addition to American Pastoral, there is The Human Stain and I Married a Communist. Each book deals with the subject of the purity of an idea. The Human Stain deals with the phenomenon of political correctness taken to the nth degree, while I Married a Communist, is set in the fifties, in the bad old days of McCarthyism.

  6. American Pastoral (Pastoral americana) es una película dirigida por Ewan McGregor con Ewan McGregor, Jennifer Connelly. Sinopsis : Norteamérica, años 60. Seymour 'el sueco' Levov (Ewan McGregor ...

  7. In his latest novel, American Pastoral, however, Mr. Roth does away with — or nearly does away with — these narcissistic pyrotechnics to tackle the very subjects he once spurned as unmanageable: namely, what happened to America in the decades between World War II and Vietnam, between the complacencies of the 50’s and the confusions of the 60’s, 70’s and 80’s.