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  1. Alvin Lucier is the John Spencer Camp Professor of Music, Emeritus, at Wesleyan University, where he has taught since 1970. Lucier has pioneered many areas of music composition and performance, including the notation of performers’ physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media and the evocation of room acoustics ...

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  3. Posthumous testament to the peerless vision of Alvin Lucier, split with a work by Jordan Dykstra (Dirty Projectors, Atlas Sound), who also hailed from the same Middletown, CT where Lucier wrote his seminal piece ‘I Am Sitting In A Room’. Linked by locale and a creative friendship forged during Lucier’s final years, the late, great composer and his youthful acolyte speak to a mutual ...

  4. This extremely delicate and lyrical performance may act as an entrance into the work of Alvin Lucier (born in 1931 in New Hampshire) and his unwavering engagement with how sound travels through the world. Since the mid-1960s, Lucier has produced a range of important compositions that have influenced the culture of experimental music and the ...

  5. 6 de dic. de 2021 · Acclaimed composer Alvin Lucier, who explored the material properties of sound, died last week at the age of 90. While the ‘experimental’ label is often overused, Lucier’s poetic yet scientifically inflected work often comprised actual experiments – whether amplifying his own brain waves, producing auditory maps with echolocation or teasing out the resonant frequencies of enclosed spaces.

  6. condor.wesleyan.edu › alucierAlvin Lucier

    Alvin Lucier. site designed by daniel l scholnick: to contact alvin lucier, send an email to.

  7. 1 de may. de 2017 · The year was 1965, the composer was Alvin Lucier and the piece was Music for Solo Performer.Generally considered to be the first musical work to use brain waves to directly generate the resultant sound, Lucier’s work remains a groundbreaking and important piece of 20th century music, as well as one of the touchstones of early “live” electronic music.