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Still Lives 25:10 piano - Joseph Kubera 03 I. Sunlight Diamond 2:37 04 II. Hammock 2:40 05 III. Barbecue Grill 4:54 06 IV. Lamp Shade 2:38 07 V. Two Floor Tiles 3:03 08 VI. Ferns 3:25 09 VII. Bread Knife 2:50 10 VIII. Chopsticks 2:52 Artwork By [Art Direction, Design] - By Design Producer, Composed By - Alvin Lucier Recorded By, Mastered By ...
11 de may. de 2021 · Jillian Freyer for The New York Times. By Kerry O’Brien. May 11, 2021. It was a snowy night in March 1970 in Middletown, Conn. But the composer Alvin Lucier turned off the heat, wanting it quiet ...
Alvin Lucier (born May 14, ... Still and Moving Lines of Silence in Families of Hyperbolas in which the interference tones between sine waves create “troughs” and “valleys” of sound and silence, Music For Solo Performer, ... Still Lives 2001 . Clocker 1994 . 3 1 Votes: Music for Solo Performer 1982 . 2.9 8 Votes: Music ...
Alvin Lucier. Alvin Lucier was born in 1931 in Nashua, New Hampshire. He was educated in Nashua parochial and public schools, The Portsmouth Abbey School, Yale and Brandeis, and spent two years in Rome on a Fulbright Scholarship. From 1962 to 1969 he taught at Brandeis where he conducted the Brandeis University Chamber Chorus which devoted much ...
26 de ene. de 2018 · Criss-Cross / Hanover by Alvin Lucier, released 26 January 2018 1. Criss-Cross 2. Hanover Black Truffle is honoured to present the premier recordings of two recent works by legendary American experimental composer Alvin Lucier. A friend and contemporary of pioneers like Robert Ashley, David Behrman, Gordon Mumma, and Christian Wolff, Lucier has been crafting elegant explorations of the ...
Alvin Lucier's 1965 piece Music for Solo Performer is usually considered the first piece using 'brainwaves', followed by people such as Richard Teitelbaum and David Rosenboom (Miranda & Brouse, 2005).
2019 repress. 2001 release. Three works for pure waves and instruments from Alvin Lucier . Lucier has pioneered in many areas of music composition and performance, including the notation of performers' physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes.
