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8 de dic. de 2021 · Alvin Lucier – Music for Pure Waves, Bass Drums and Acoustic Pendulums from Tilton Gallery on Vimeo. Music for Pure Waves, Bass Drums and Acoustic Pendulums oraz Crossings doskonale pokazują napięcie pomiędzy dwoma modelami minimalistycznego czasu – czasem potencjalnie nieskończonego trwania oraz czasem potencjalnie nieskończonego ...
Alvin Lucier (14 May 1931 - 1 December 2021) was an American composer of experimental music and sound installations that explored acoustic phenomena and auditory perception. A long-time music professor at Wesleyan University, Lucier was a member of the influential Sonic Arts Union, which included Robert Ashley, David Behrman, and Gordon Mumma.
Alvin Lucier. Alvin Lucier ( Nashua, 14 de maig de 1931 - Middletown, 1 de desembre de 2021) va ser un compositor estatunidenc de música experimental i instal·lacions sonores que exploren fenòmens acústics i percepció auditiva. Lucier, durant molts anys professor de música a la Universitat de Wesleyan, va formar part de la influent Sonic ...
Alvin Lucier has been active since 1962 in the field of "concrete" music. ... (1985), Crossings (1984), for small orchestra and pure wave oscillator. Letters (1991) Lucier used the shapes of letters as the graphic score for the musicians to play music. ...
7 de dic. de 1990 · I am sitting in a room by Alvin Lucier, released 07 December 1990 1. I am sitting in a room Originally released by Lovely Music in 1981. In this fascinating exploration of acoustical phenomena, Alvin Lucier slips from the domain of language to that of music in the course of 40 minutes and 32 repetitions of a simple paragraph of text.
21 de may. de 2021 · Credit: Courtesy Alvin Lucier. Alvin Lucier is one of the giant figures in experimental, electronic and electro-acoustic music, known for “making the inaudible…audible.”. Last week, he turned 90, and the celebration included a 27 hour marathon of his most famous piece, “I Am Sitting In A Room.”. The piece, first recorded in 1969, is ...
This essay examines cognitive labor and the posthuman brain in composer Alvin Lucier’s Music for Solo Performer (1965). Alongside a discussion of the historical relationships between cybernetics, posthumanism, and political economy, it contextualizes Lucier's neurofeedback experiments in light of the expansion of the military-industrial complex and the large-scale labor transformations of ...
