1968
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Hace 2 días · Attempting to avoid capture by the Gestapo, he seeks the help of Don Pietro (Aldo Fabrizi), a Catholic priest, and Pina (Magnani), the pregnant fiancée of a fellow resistance fighter. In telling their story, Rossellini shows us the reality of daily life during the occupation, and paints a sympathetic portrait of the Italian civilians who fought against their cruel German occupiers.
Hace 22 horas · Aldo Fabrizi is wonderful as the pragmatic priest, and the great Anna Magnani towers above all as the fearsome working class matriarch Pina. A masterpiece. In cinemas from Friday, May 17
3 de may. de 2024 · ...Portiere assieme alla moglie (Titina de Filippo) di un lussuoso stabile ai Parioli (Via Castellini), Aldo Fabrizi si barcamena tra consigli alle donne di servizio e la caccia al cleptomane...
Hace 22 horas · The stage director and music director of the 2020 production, respectively Richard Monroe and Aldo Fabrizi, are back for the new show, as are almost half of the original cast, with the others not ...
Hace 22 horas · Marcello Pagliero’s many-named resistance leader presents this ‘everyman’ figure of defiance, but by his side is Anna Magnani’s Pina, a forthright working-class mother and Aldo Fabrizi’s Don Pietro Pellegrini, a local priest who maintains a line of communication between the ranks of freedom fighters.
25 de abr. de 2024 · Aldo Fabrizi, conosciuto anche per il sodalizio artistico con Totò, in Roma Città Aperta regala una delle sue interpretazioni più intense, confermandosi quindi come attore versatile. Simbolo ...
25 de abr. de 2024 · Aldo Fabrizi and Anna Magnani had already appeared together in two lighter, more comic portraits of Roman life: Mario Bonnard’s Campo de’ fiori (1943) and Mario Mattoli’s The Last Wagon (1943). Rossellini himself was quick to acknowledge the importance of these films in the development of neorealism, especially in their small ...
