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  1. Guendalina es una película dirigida por Alberto Lattuada con Jacqueline Sassard, Raf Mattioli, Sylva Koscina, Raf Vallone .... Año: 1957. Título original: Guendalina. Sinopsis: El verano es más largo que de costumbre en Viareggio para Guendalina, hija de un rico, cuya amistad con un joven nativo pronto se convierte en amor. (FILMAFFINITY)Puedes ver Guendalina mediante en las plataformas:

  2. Lattuada, Alberto . 3 Results . Filter Sort Direction. Mafioso Alberto Lattuada Quick Shop Variety Lights Federico Fellini and Alberto Lattuada Quick Shop Essential Fellini Collector’s Set Quick Shop Watch & shop. Harris Savides’s Closet Picks. Where Do I Sign? Director-Approved ...

  3. 30 de mar. de 2019 · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

  4. 23 de ene. de 1976 · Cuore di cane: Directed by Alberto Lattuada. With Max von Sydow, Eleonora Giorgi, Mario Adorf, Gina Rovere. Professor Preobrazhensky puts courageous experiences, trying to turn a dog in equal to in all of the person. As a result somebody turns out Doggies. Unfortunately, experience proves that it is better for dog to remain a dog.

  5. Películas dirigidas por Alberto Lattuada; El poder de la mafia (1962) La mandragola. Don Juan en Sicilia (1967) Ficha en IMDb Ficha en FilmAffinity: La mandrágora (en italiano La Mandragola) es una película cómica italiana, dirigida por Alberto Lattuada y basada en la novela homónima de Niccolò Machiavelli. Argumento ...

  6. Other articles where Alberto Lattuada is discussed: Federico Fellini: Early life and influences: … [1950; The Path of Hope]), Alberto Lattuada (Senza pietà [1948; Without Pity]), and Luigi Comencini (Persiane chiuse [1951; Behind Closed Shutters]); he was uncredited on the latter film. In addition, Fellini contributed to Rossellini’s Paisà (1946; Paisan) and Il miracolo (1948; “The ...

  7. Lattuada is not an author of comedies all’italiana, and perhaps precisely for that reason he has given the genre some of its most important titles.” These words of Gianni Volpi, certainly the most acute commentator on the Milanese director Alberto Lattuada, who died last year, help us to understand the reasons for his greatness, but also for the rather restrained appreciation accorded ...