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ALBERTO LATTUADA Italy, 1978. A much-missed Ennio Morricone composed the score to this steamy Spanish-Italian sex film, starring a world-weary Marcello Mastroianni and a young Nastassja Kinski at the height of her charms. A cult erotic drama about incest, age gaps, and absent father figures that’s very much of its time!
Alberto Lattuada (1914 - 2005) fue un guionista y director de Italia conocido por El poder de la mafia, Luces de Varieté, Así como eres, Ana, Amor en la ciudad, El molino del Po, El alcalde, el escribano y su abrigo, Dulces engaños, El bandido y El delito de Giovanni Episcopo
3 de jul. de 2005 · Alberto Lattuada (13 November 1914 – 3 July 2005) was an Italian film director. Lattuada was born in Milan, the son of composer Felice Lattuada. He was initially interested in literature, becoming, while still a student, a member of the editorial staff of the antifascist fortnightly "Camminare ...
Ana es una película dirigida por Alberto Lattuada con Silvana Mangano, Vittorio Gassman, Raf Vallone, Jacques Dumesnil .... Año: 1951. Título original: Anna. Sinopsis: Anna es una novicia a punto de profesar que trabaja como enfermera en un hospital público de Milán, donde es muy querida por los médicos y los pacientes por su delicadeza y el celo que pone en su ...Puedes ver Ana mediante ...
Lattuada’s view of Italy and its lovely inhabitants on the eve of the economic boom is not exactly flattering. La spiaggia anticipates the vitriolic spite that will animate the best comedies of the late 50s and 60s (Mario Monicelli, Dino Risi), and singlehandedly buries the neorealist sanctimony that plagued Italian cinema after the war along with its pretense of virtue.
4 de ago. de 2021 · During Locarno74, you will be able to study every gesture, idea, success and struggle related to Alberto Lattuada.. Exploring the heart of the Italian 1900s, the Retrospective of the Locarno Film Festival offers its audience the complete works of a “forgotten” director: 41 films (shorts, features and segments of collective projects) to discover the erudite, not quite of his time ...
“Lattuada is not an author of comedies all’italiana, and perhaps precisely for that reason he has given the genre some of its most important titles.” These words of Gianni Volpi, certainly the most acute commentator on the Milanese director Alberto Lattuada, who died last year, help us to understand the reasons for his greatness, but also for the rather restrained appreciation accorded ...
