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Otto e mezzo [ˈɔtto e ˈmɛddzo], también conocida como 8½ (en Argentina, Fellini 8½; en España, Fellini ocho y medio ), es una película de comedia dramática vanguardista surrealista ítalo - francesa de 1963. Dirigida por Federico Fellini, con Marcello Mastroianni, Claudia Cardinale y Anouk Aimée como actores principales.
8½ has always been a touchstone for me, in so many ways—the freedom, the sense of invention, the underlying rigor and the deep core of longing, the bewitching, physical pull of the camera movements and the compositions...But it also offers an uncanny portrait of being the artist of the moment, trying to tune out all the pressure and the criticism and the adulation and the requests and the ...
A film director struggles with his creative block, his past relationships, and his mid-life crisis in this surreal and personal drama by Federico Fellini. IMDb provides cast and crew information, user and critic reviews, trivia, goofs, quotes, and more for this classic movie.
8½ es una película autobiográfica de Federico Fellini que narra su vida personal y profesional a través de una serie de fantasías y surrealismo. La película ha recibido elogios de la crítica por su innovación, provocación y cómica, y ha sido considerada una obra maestra del cine.
8½. One of the greatest films about film ever made, Federico Fellini’s 8½ marks the moment when the director’s always-personal approach to filmmaking fully embraced self-reflexivity, pioneering a stream-of-consciousness style that darts exuberantly among flashbacks, dream sequences, and carnivalesque reality, and turning one man’s ...
About. 8½. DRAMA. Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema.
The New York Times. It has no more plot than a horse race, no more order than a pinball machine, and it bounces around on several levels of consciousness, dreams and memories as it details a man's rather casual psychoanalysis of himself. But it sets up a labyrinthine ego for the daring and thoughtful to explore, and it harbors some elegant ...
