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En 1964, por recomendación de Meehan, Jones comenzó a trabajar con Decca Records. Desde entonces hasta 1968, tocó en cientos de sesiones de grabación. Pronto amplió su trabajo sumando los teclados, arreglos y dirección general, lo que resultó en un aumento de solicitudes de trabajo.
In 1964, on the recommendation of Meehan, Baldwin began studio session work with Decca Records. From then until 1968, he played on hundreds of recording sessions. [8] . He soon expanded his studio work by playing keyboards, arranging and undertaking general studio direction, resulting in his services coming under much demand.
1964. Arranged for: THE ROLLING STONES, P.P. ARNOLD, BILLY NICHOLS, TWICE AS MUCH, NICO, LIONEL BART, ANDREW OLDHAM ORCHESTRA.
Johnny Horton wrote a sea shanty about John Paul Jones in 1960. The Longest Johns also made a song referring to him from the British perspective titled "John Paul Jones Is A Pirate". John Paul Jones is referenced in Sitka by Louis L'Amour, when Jean LaBarge alludes to Jones's service in the Imperial Russian Army. See also. Biography portal
1964. Arranged for: THE ROLLING STONES, P.P. ARNOLD, BILLY NICHOLS, TWICE AS MUCH, NICO, LIONEL BART, ANDREW OLDHAM ORCHESTRA. Solo single. John Paul Jones – Baja / A Foggy Day In Vietnam. 7″ solo single [Hear “Baja”] 1965. Musical Director. Musical director for ROBERT STIGWOOD. 1966. Musical director for MICKEY MOST. 1966 / 1967. Arranged for.
Lanzó su primera grabación en solitario como John Paul Jones, "Baja" (escrito por Lee Hazlewood y producido por Oldham) / "A Foggy Day in Vietnam", como sencillo en Pye Records en abril de 1964. Jones ha declarado que, como músico de sesión, completaba dos y tres sesiones al día, seis y siete días a la semana.
FLAMBOROUGH HEAD, England—It is almost 185 years since John Paul Jones won an important naval victory over two British men‐of-war near this windy Yorkshire headland.
