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10 de abr. de 1994 · Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. In 1968, shortly after the publication of her review of “Bonnie and Clyde,” she became the magazine’s film...
Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. In 1968, shortly after the publication of her review of “Bonnie and Clyde,” she became the magazine’s film critic.
March 1, 1966. Spoofing and Schtik. Author, lecturer, and an authority on films, Pauline Kael has been manager of an art cinema and has worked on experimental films. Her collection of...
16 de mar. de 2023 · The director’s last film is rumoured to centre on the life of New Yorker film writer Pauline Kael – if true, her 1970s face-off with Warren Beatty would make a thrilling plot line.
Double Take. Eighty-Five from the Archive: Pauline Kael. By Erin Overbey. March 17, 2010. This year is The New Yorker’s eighty-fifth anniversary. To celebrate, over eighty-five weekdays we will...
8 de abr. de 2024 · Novella-length essay 'Raising Kane' is ranked no. 40 on our list of the best Hollywood books of all time because it started a fight that forced everyone to take a side.
Kael's articles in The New Yorker develop the same point of view: Her function as a critic is to experience a film as fully, completely and perceptively as possible, and then to record her reactions honestly.
