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Dara Birnbaum (Nueva York, 1946) [1] es una artista estadounidense de videos e instalaciones. [2] Birnbaum entró en el campo incipiente del videoarte a mediados y finales de la década de 1970 desafiando los prejuicios de género de ese período y la presencia cada vez mayor de la televisión dentro del hogar estadounidense.
Dara Birnbaum (born 1946) is an American video and installation artist. Birnbaum entered the nascent field of video art in the mid-to-late 1970s challenging the gendered biases of the period and television’s ever-growing presence within the American household.
Dara Birnbaum lebt und arbeitet in New York. Seit Ende der 1970er-Jahre beschäftigt sich Birnbaum mit dem Medium Fernsehen. Sie hinterfragt die äußeren Bildwelten, die Ausdrucksformen und die manipulative Wirkung dieses Massenmediums. Inhaltlich überprüft sie den Mythos der Weiblichkeit mit Hilfe persönlicher und sozialer ...
Dara Birnbaum (born 1946) is an American video and installation artist. Birnbaum entered the nascent field of video art in the mid-to-late 1970s challenging the gendered biases of the period and television’s ever-growing presence within the American household.
Kiss The Girls: Make Them Cry is a 1979 video art piece by Dara Birnbaum. The piece is constructed of footage recorded from the television game show Hollywood Squares. The bulk of the piece is made up from recorded introductory gestures of female celebrities participating in that game show, which are synced to then-contemporary disco ...
Dara Birnbaum née en 1946 [1] est une artiste américaine, pionnière de l'art vidéo et de l'installation, dans une perspective féministe [2]. Elle vit et travaille à New York.
Recognized as one of the first video artists to employ the appropriation of television images as a subversive strategy, Birnbaum recontextualizes pop cultural icons (Technology/Transformation: Wonder Woman, 1978-79) and TV genres (Kiss the Girls: Make them Cry, 1979) to reveal their subtexts.
