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  1. 20 de jul. de 2021 · The Bernard Herrmann Society - Society for the Appreciation of the Music of Bernard Herrmann (1911-1975)

  2. The Bernard Herrmann Society - Society for the Appreciation of the Music of Bernard Herrmann (1911-1975)

  3. The roots of this slasher music are found in a tune called “The Psycho Theme” (a label given to it in the cue sheets) that has been largely ignored over the years. This paper illustrates how the “The Psycho Theme” is transformed throughout Psycho and how it degenerates into the most famous icon in the history of film music.

  4. This essay analyses some of the most significant manifestations of cinematic intertextuality generated by Alfred Hitchcock’s Psycho (1960): remakes, sequels, revisionist films and other aesthetic proposals; based on Bloom’s concepts of anxiety of influence and misreading as part of its theoretical framework.

  5. Bernard Herrmann (1911-1975) From his first film, "Citizen Kane" , to his last, "Taxi Driver" , Herrmann was a master at evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film.

  6. 30 de oct. de 2000 · Herrmann's orchestral scoring of Hitchcock's film "Torn Curtain" struck the studio as antiquated. It was rejected and replaced. But Herrmann's work gained greater recognition years later.

  7. He was widely acclaimed for distinctive orchestration, such as the use of theremins in The Day the Earth Stood Still, or the string scoring for Psycho. Herrmann’s use of orchestral color was never more ingenious than in this legendary, much-imitated score, written in 1960 for string orchestra only, in which he created what he called a ...

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