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Hilma af Klint 'Group IV, The ten largest, no 5, adulthood' 1907. Courtesy of the Hilma af Klint Foundation, HaK106. Photo: The Moderna Museet, Stockholm, Sweden
'The Ten Largest, Nº 5, Adulthood, Group IV' En 1908, Hilma se tomó un descanso de cuatro años para cuidar a su madre, que se había quedado ciega. En 1912 retomó ‘Los cuadros para el templo’, obra que terminó en 1915.
Adulthood, The Ten Largest, No 5-8, Group IV, 1907. Hilma af Klint. Runtime: 02:07. Narrator: The four paintings with a purple background represent the different phases of adult life. The pink flower that is uppermost in the first of these paintings has five petals.
Imágenes: las diez pinturas que conforman la serie «Los Diez Más Grandes»: «Los Diez Más Grandes, nº 1: niñez», «Los Diez Más Grandes, nº 2: niñez», «Los Diez Más Grandes, nº 3: juventud», «Los Diez Más Grandes, nº 4: juventud», «Los Diez Más Grandes , nº 5: edad adulta», «Los Diez Más Grandes, nº 6: edad adulta ...
15 de oct. de 2018 · October 15, 2018. “Group IV, The Ten Largest, No. 3, Youth,” from 1907. Photograph by Albin Dahlström; courtesy the Moderna Museet, Stockholm. One work amid the hundreds in a...
'The Ten Largest, Nº 5, Adulthood, Group IV' In 1908, Hilma took a four-year break to look after her mother, who had become blind. In 1912, she picked up her ‘ Paintings for the Temple ’ again and completed them in 1915.
The sheer size of “The Ten Largest” sets them apart from the artist’s other works. In a gigantic 3.28×2.40 metre format, Hilma af Klint celebrates the four ages of humanity: Childhood, Youth, Adulthood and Old Age. A central theme in “The Ten Largest”, as in the artist’s oeuvre as a whole, is the notion of evolution.