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  1. 16 de feb. de 2019 · Tráiler (1 min). Extras del disco 2. "El castillo" de Michael Haneke (1997) (130 min) - Después de haber conmocionado a los espectadores con "Funny Games", Michael Haneke realizó el mismo año esta adaptación televisiva de la célebre obra de uno de los grandes maestros de la literatura universal: Franz Kafka.

  2. 14 de may. de 2019 · Funny Games [Criterion Collection] [Blu-ray] Director: Michael Haneke Cast: Susanne Lothar , Ulrich Muhe , Frank Giering , Arno Frisch. Blu-ray (Color / Wide Screen) $39.99. Blu-ray. $39.99. DVD. $29.99. View All Available Formats & Editions. Learn more. SHIP THIS ITEM. Qualifies for Free Shipping. Instant Purchase. PICK UP IN STORE.

  3. 23 de jul. de 2022 · Cover Category: DVD Covers & Labels. DVDCover.Com your source for dvd covers, blu-ray covers & 4k uhd cover art. High qualityFunny Games (1997) R1 DVD Cover cover art for your collection.

  4. The 1997 version of Michael Haneke’s Funny Games enters the Criterion Collection with this new Blu-ray edition, featuring the film in its original aspect ratio of 1.85:1 on a dual-layer disc. The 1080p/24hz encode has been sourced from a new 2K restoration, scanned from the 35mm original camera negative.

  5. 17 de may. de 2019 · The film starts with classical music as the family drives to the cabin, but as Funny Games in huge red letters appears, the music changes abruptly to a heavy metal, almost cacophonous blaring, foreshadowing that what is to come may not be so peaceful. Bonus features on the new 2K digital restored Blu-ray supervised by Michael Haneke include new ...

  6. NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. Criterion new release of Michael Haneke's love-it-or-hate-it " Funny Games " to a dual-layered Blu-ray . This is a new 2K digital restoration, supervised by director Michael Haneke.

  7. 22 de may. de 2019 · by Derek Smith. May 22, 2019. In a recent interview recorded for this Blu-ray release of Funny Games, Michael Haneke describes the self-reflexive tactics he deploys throughout his 1997 film as a means of scolding audiences for, among other things, falling prey to the tropes of the thriller genre.