Resultado de búsqueda
15 de nov. de 2014 · Paula Scher The Public Theater, 95-96 Season 1995. Not on view. Scher's groundbreaking identity and graphic campaign for New York's Public Theater set a new bar for typography of the 1990s.
Since 1994, Pentagram has been involved with the graphic identity of the Public Theater, a program that would eventually influence much of the graphic design created for theatrical promotion and for cultural institutions in general.The original identity responded to The Public's mission to provide accessible and innovative performances, creating a graphic language that reflects street ...
30 de nov. de 2020 · La nueva identidad visual tan solo ha sido desarrollada en línea debido a las extrañas e inciertas circunstancias que rodean el mundo, y ha sido diseñada en conjunto por la diseñadora Paula Scher y todo el equipo interno del The Public Theatre.
For the first time in a quarter century, Paula Scher’s typographic posters for Shakespeare in the Park, the annual free performances presented by the Public Theater, went missing from the streets and subways of New York when the 2020 festival was cancelled due to Covid-19.
23 May / 2019 / Inspiration /. share. Paula Scher 's groundbreaking identity and graphic campaign for New York's Public Theater set a new bar for typography in the 90s. "Using unorthodox spacing, mixing font colors and weights, and employing uncommon and often historic typefaces, Scher's text-heavy poster presents a large amount of information ...
Paula Scher documents her ongoing collaboration with The Public Theater in a new monograph. Since 1994, Pentagram’s Paula Scher has been collaborating with The Public Theater in New York on a remarkable body of graphic design that has influenced much of the branding created for theatrical promotion and for cultural institutions in general.
In 1994, Scher was the first designer to create a new identity and promotional graphics system for The Public Theater, a program that became the turning point of identity in designs that influence much of the graphic design created for theatrical promotion and for cultural institutions in general.
