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  1. In 1967, Warhol established a print-publishing business, Factory Additions, through which he published a series of screenprint portfolios on his signature subjects. Marilyn Monroe was the first one. He used the same publicity still of the actress that he had previously used for dozens of paintings.

    • Marilyn Monroe

      These works are part of a portfolio.. 10 works online. Our...

  2. Exhibition History. Catalogue Raisonné. Title: Untitled from Marilyn Monroe. Artist: Andy Warhol (American, Pittsburgh, Pennsylvania 1928–1987 New York) Printer: Aetna Silkscreen Products, Inc. Publisher: Factory Additions. Date: 1967. Medium: Screenprint. Dimensions: sheet: 36 x 36 in. (91.5 x 91.5 cm) Classification: Prints.

  3. The Marilyn Monroe portfolio is a portfolio or series of ten 36×36 inch silkscreened prints on paper by the pop artist Andy Warhol, first made in 1967, all showing the same image of the 1950s film star Marilyn Monroe but all in different, mostly very bright, colors.

  4. Creator: Andy Warhol. Date Created: 1967/1967. Physical Dimensions: 92 x 91,5 cm. Type: Graphic. Rights: Bildrecht, Vienna 2021. External Link: Lentos Kunstmuseum Linz. Medium: Coloured silkscreen. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. Google Arts & Culture features content from over 2000 leading ...

  5. The Marilyn Monroe (Marilyn) full suite are screenprints that make up one of Andy Warhols most recognized portfolios. Known for his fascination for the glitz and glamour that fame offers, Warhol used film star Marilyn Monroe as one of his earliest muses.

  6. Andy Warhol, Marilyn Monroe (Marilyn) 1967 FS II.22-31 1. Andy Warhol * created three Marilyn Monroe* screen print portfolios in 1967, a few years after the actress passed away in 1962. The portfolio of 10 screen prints was one of the first prints Warhol printed and distributed through Factory Additions, New York.

  7. 20 de nov. de 2004 · Through manipulation of scale and color from sheet to sheet, Warhol alters the visual impact of the military fabric used for concealment. In examples on canvas, he also superimposes his face, linking self-portraiture with disguise.