Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Russian Futurism is the broad term for a movement of Russian poets and artists who adopted the principles of Filippo Marinetti's "Manifesto of Futurism", which espoused the rejection of the past, and a celebration of speed, machinery, violence, youth, industry, destruction of academies, museums, and urbanism; [1] it also advocated ...

  2. The Russian Futurists are a Canadian indie pop [1] [2] band based in Toronto. Their music can be described as lo-fi, indie-electronica fused with a twee-pop temperament. The band started as a solo project of Matthew Adam Hart (born 1978), and later expanded into a band for live performances.

  3. 23 de mar. de 2017 · Drawing on influences from the West and mingling these with their own Russian heritage, the Futurists celebrated new concepts in psychology, color theory, and linguistics. One of their most unusual elements was a latent archaism, or attachment to Russian traditions in spite of an otherwise overwhelming focus on new technologies and ...

  4. Like their Italian counterparts, the Russian Futurists were fascinated with the dynamism, speed, and restlessness of modern machines and urban life. They purposely sought to arouse controversy and to gain publicity by repudiating the static art of the past.

  5. 5 de feb. de 2019 · Members of the Russian Futurists traveled throughout Europe between 1909 and 1913, with poets Alexander Blok, Valery Bryusov, Andrei Biely, Max Voloshin, and Nikolai Gumilev all visiting Italy during this period.

  6. 13 de mar. de 2024 · Contrary to their Italian counterparts who preferred tailored suits and conventional appearances, Russian Futurists painted their faces with geometric figures, wore voluminous blouses of the wildest of colors adorned with flowers, and aimed to turn their entire existence into provocation.

  7. Theatre - Russian Futurism, Suprematism: The Russian Futurists, or Suprematists, declared their lineage from Jarry and their affiliation with the Italian Futurists in their first manifesto “A Slap in the Face of Public Taste” (1912).