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6 de sept. de 2018 · Murray's paintings often both pastiche and parody painting's history: using recognizable Cubist and Modernist abstraction techniques and reinterpreting famous works of art in a way that playfully pokes fun at the hallowed history and contemporary seriousness of painting as a medium.
Murray’s works from the 1960s reflect an irreverent embrace of the materiality of paint. Here, the artist experimented with elements of sculpture while maintaining allusions to the figure informed by her long-standing affinity for cartooning.
Elizabeth Murray was an American painter whose lively imagery and reconsideration of the rectangle as the traditional format for painting was part of a reinvigoration of that medium in the 1970s and ’80s. She is sometimes described as a Neo-Expressionist. The American art critic Roberta Smith.
Elizabeth Murray (September 6, 1940 – August 12, 2007) [1] was an American painter, printmaker and draughtsman. Her works are in many major public collections, including those of the Solomon R. Guggenheim Museum, the Hirshhorn Museum and Sculpture Garden, the Pérez Art Museum Miami, [2] the Museum of Modern Art, [3] the Whitney ...
Elizabeth Murray (September 6, 1940 – August 12, 2007) was an American painter, printmaker and draughtsman.
Murray’s paintings were fresh and bold. Works like New York Dawn, 1977, and Children Meeting, 1978, with their evocative shapes, lightninglike bands, tilting tectonic planes, and humming dots all colliding and overlapping within surfaces of lush oil paint, felt at the time like harbingers of a rambunctious new abstraction.
Highlights and key moments from Elizabeth Murray’s interviews and lectures through the years, talking about painting. About Painting: Labyrinth, 1989 Artwork: “Careless Love (Labyrinth)," 1995-96, oil on canvas, 106.5 x 99.5 x 27 in. (270.5 x 252.7 x 68.6 cm) Collection of the National Gallery of Art
