2013
Resultado de búsqueda
Performances, circa 1995-2003. Music for Ralph Lemon/Scaffold Room. Manners/Duck Soup, in several... Events. 2017-Present. 2007-2016. Publications & Releases. Teenage Lontano. Leaving.
- Manners/Duck Soup, in Several
Manners/Duck Soup, in several parts, with restored memory of...
- P.A./Hard Love
Marina Rosenfeld, 'P.A.', 2009, versions in New York and...
- Music for Maria Hassabi
Music for Maria Hassabi , Ralph Lemon, Merce Cunningham...
- My Body
My body (2019). My Body, a commission of the 2019 Time:Spans...
- Six Inversions
Six Inversions (After Arnold Schoenberg), video still from...
- Greatest Hits
GREATEST HITS (2016). Greatest Hits: A Reproduction was...
- Self-Portrait/Self-Portrait With Material
Score, Self-Portrait/Self-Portrait with Material, 2020,...
- Performances, Circa 1995-2003
99 Luftballoons, Eddie Ruscha, Marina Rosenfeld, Eric...
- Manners/Duck Soup, in Several
Marina Rosenfeld is an American composer, sound artist and visual artist based in New York City.
++++ Repost: @herbalpertaward → A look into the work of 2024 Alpert Award artist Marina Rosenfeld: Marina works across the boundaries of music, performance, and visual art. Her works interrogate the shape and sociality of perception and its sensual transformation into hearing, sight, and touch.
Marina Rosenfeld is a composer and artist based in Brooklyn, New York. Working across the disciplinary boundaries of music and visual art, she has created a body of work spanning sound, music and performance, sculpture and works on paper.
Escucha Virulín -canciones para chiquitos- de Marina Rosenfeld -Aguamarina en Deezer. Hojitas de otoño, Tengo un gato en la tuba (feat. Maru Montesano & Caetano Bozzini), Virulín Virulín (feat. Martina De la Vega)...
5 de nov. de 2021 · For over two decades, New York-based artist and composer Marina Rosenfeld has pioneered a specific language for turntable music, based on an ever-expanding collection of dub plates she creates. The dubplate is a one-off, hand-cut record.
Deathstar is a multimedia work by Marina Rosenfeld that explores the embodied experience of listening to a hyper-amplified soundfield. It involves a recursive cycle of production and re-production, from environmental recording to musical notation, from gallery installation to concert performance, from album release to notation book.
