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  1. Italian, 1893–1962. Arturo Bragaglia began his career making photographs in collaboration with his older brother Anton Giulio Bragaglia. His artistic training was developed as an assistant, alongside his brothers, in his father Francesco Bragaglia’s film production company in Rome.

  2. Fundó el Teatro Experimental Independiente (considerado el mas importante de Italia), del que fue director hasta 1936. De Arturo no se conoce mucho sobre su formación; si se sabe que ambos hermanos se adhirieron en 1910 a un movimiento que estaba en pleno surgimiento: el Futurismo.

  3. Anton Giulio Bragaglia (11 February 1890 – 15 July 1960) was a pioneer in Italian Futurist photography and Futurist cinema. A versatile and intellectual artist with wide interests, he wrote about film, theatre, and dance.

  4. The Rome-based theater director, set designer, and cinematographer Anton Giulio Bragaglia was one of those influenced by Marinetti's theories. In his essay "Futurist Photodynamism," written in 1911 and published two years later, Bragaglia extended the concept of dynamism to photography.

  5. Seeking to revitalize painting, Futurist Anton Giulio Bragaglia worked with his brother Arturo Bragaglia, an accomplished photographer, to develop a method of capturing movement they called photodynamism.