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  1. en.wikipedia.org › wiki › No_JoyNo Joy - Wikipedia

    No Joy are a Canadian shoegaze band from Montreal formed in late 2009 by Jasamine White-Gluz and former member Laura Lloyd. Biography. No Joy's first show was with Grant Hart of Hüsker Dü on December 15, 2009. [1] . The band continued to play locally, including a show with then-up-and-coming indie band Best Coast. [2] .

  2. 20 de ago. de 2020 · No Joy channels the ’90s shoegaze/trip hop sweet spot on their new album. The Montreal band launches “Motherhood” on Friday. Jasamine White-Gluz took her “sweet-ass time” making the new No Joy album Motherhood, the band’s first full-length release since 2015.

  3. 20 de ago. de 2020 · By Chris Steffen. Aug. 20, 2020. When No Joy leader Jasamine White-Gluz decided it was time to revamp her band's sound and temperament, she harnessed a blend of ambition, experimentation, and playfully bad taste to arrive at Motherhood.

  4. New (from 'GO!') No Joy. Montreal, Québec. AKA Jasamine White-Gluz //// For No Joy’s first full length in five years, White-Gluz took what she learned from synthesis, reincorporated guitars, and produced an album that is not a departure from No Joy’s early shoegaze, but a stylistically omnivorous expansion that ekes into trip hop, trance ...

  5. 30 de nov. de 2020 · November 30, 2020. No Joy (photo by Matieu Fortin) No Joy released Motherhood this year which took the Montreal shoegazers, led by Jasamine White-Gluz, into uncharted territory, mixing in...

  6. 13 de oct. de 2020 · This Self-Portrait is by Jasamine White-Gluz of Montreal’s No Joy, and she drew her own self-portrait and then took a photo of herself drawing the picture. No Joy released a new album, Motherhood, in August via Joyful Noise and Hand Drawn Dracula. Jorge Elbrecht co-produced and played on the album.

  7. 23 de jun. de 2023 · Singer-guitarists Jasamine White-Gluz and Laura Lloyd and drummer Garland Hastings knock down the fence between nostalgia and modernity, chaos and control, in a perfectly- realized effort made to bridge their uncompromised musical pasts with the alarmist tendencies of the present.