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Latest. Art Fair Review. Surrealism Reigns at Tefaf Art Fair. Objects made under the influence of the art movement have inspired many contemporary and modern dealers at the 10th edition of Tefaf...
Martha Schwendener, Ph.D., is an art critic for The New York Times and a visiting professor at New York University. Her criticism and essays have been published in Artforum, Afterimage, Bookforum, October, Art in America, The New Yorker, The Village Voice, The Brooklyn Rail, Art Papers, New Art Examiner, Paper Monument, and other publications.
9 de sept. de 2021 · By Martha Schwendener. Sept. 9, 2021. Coming up in the ’90s, “independent” (often shortened to “indie”) signaled culture that was maverick, authentic and relatively low budget. It meant movies...
7 de oct. de 2021 · By Martha Schwendener. Published Oct. 7, 2021 Updated Oct. 8, 2021. Greater New York 2021. Three things stand out about the current edition of “Greater New York,” a survey at MoMA PS1 of...
Martha Schwendener is an art critic for the New York Times and a visiting professor at New York University. She has published in various journals and books, and is working on a manuscript about Vilém Flusser's philosophy and art.
Martha Schwendener’s Profile | Freelance Journalist | Muck Rack. Verified. Art Critic, Freelance. Brooklyn, New York. Arts and Entertainment, Opinion and Editorial. As seen in: The New York Times, Clarín (Argentina), Yahoo, El Tiempo, The Boston Globe, 4Columns, T Japan. Is this you?
Martha Schwendener Art and Language in Vilém Flusser’s Brazil: Concrete Art and Poetry. In his correspondence with friends and colleagues, Vilém Flusser often complained that he felt exiled to the periphery of culture and intellectual life after migrating from Europe to Brazil in 1940.
