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"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
Heidegger explores the nature of art and its relation to the artist and the work in this seminal essay. He argues that art is not a thing among others, but a bringing-forth of the truth of being, and that the work is the self-concealing of art.
Heidegger introduces the idea of the origin of the work of art as itself an origin. Heidegger relies on what he says is a pre-Socratic and therefore, he claims, original understanding of truth as aletheia.
4 de feb. de 2010 · In “The Origin of the Work of Art,” Heidegger suggests that modern subjectivism and late-modern enframing can be understood as symptoms of Western humanity’s continuing inability to accept our defining existential finitude.
“The Origin of the Work of Art”, begun in 1935 but not published in full until 1960 – in other words, it spans the whole of the period in question – is Heidegger's most sustained treatment of art, and it is that text that this chapter focuses on.
“The Origin of the Work Of Art: an Oasis Amid the Heideggerian Thought?” Mateo Belgrano1 2. 1 Universidad Católica Argentina. 2 Universidad Nacional de San Martín. Resumen. En 1935 Martin Heidegger da sorpresivamente una conferencia en Friburgo sobre el origen de la obra de arte.
The origin of the work of art. Author. Martin Heidegger. Translated by. Albert Hofstadter. Publisher. University of Waterloo, 1976. Length. 142 pages.
