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"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
Heidegger explores the nature of art and its relation to the artist and the work in this seminal essay. He argues that art is not a thing among others, but a bringing-forth of the truth of being, and that the work is the self-concealing of art.
4 de feb. de 2010 · In “The Origin of the Work of Art,” Heidegger suggests that modern subjectivism and late-modern enframing can be understood as symptoms of Western humanity’s continuing inability to accept our defining existential finitude.
“The Origin of the Work Of Art: an Oasis Amid the Heideggerian Thought?” Mateo Belgrano1 2. 1 Universidad Católica Argentina. 2 Universidad Nacional de San Martín. Resumen. En 1935 Martin Heidegger da sorpresivamente una conferencia en Friburgo sobre el origen de la obra de arte.
“The Origin of the Work of Art”, begun in 1935 but not published in full until 1960 – in other words, it spans the whole of the period in question – is Heidegger's most sustained treatment of art, and it is that text that this chapter focuses on.
‘The Origin of the Work of Art’: Heidegger Patrick Hutchings Published online: 13 September 2012 # Springer Science+Business Media B.V. 2012 Abstract Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'. Max was interested in the Social History of Art and in art as: 'giving form to mere matter'.
This essay is an investigation into the "origin" of the work of art. Heidegger's word for "origin" is the German der Ursprung, the source or "springing forth" of a thing. Thus, Heidegger is asking where art originates—where it "springs" from.
