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  1. en.wikipedia.org › wiki › Split_EnzSplit Enz - Wikipedia

    In the early years of Split Enz, they were known as an "adventurous, flamboyant art-rock band" with unique, theatrical live shows. In 1975, the band moved to Australia and recorded their first album Mental Notes, which reached No. 7 in New Zealand and No. 35 in Australia. Shortly after the album's release, Wilkinson departed and Rob Gillies re ...

  2. Split Enz fue un grupo musical neozelandés, con un estilo que mezclaba rock, vodevil, swing, pop y punk, y con gran éxito en Nueva Zelanda, Canadá y Australia.Fue el primer grupo kiwi (de estética estrambótica, pelos y ropas coloridas, exagerando en sus actuaciones, fotos y conciertos), en darse a conocer en Europa y América.Fueron liderados en sus comienzos por Tim Finn y Phil Judd, y a ...

  3. Wally Wilkinson – lead guitar; Geoff Chunn – drums "The Sweet Talkin' Spoon Song" (1973) The Beginning of the Enz (1979) - three tracks; February–June 1974 (Split Enz from this point on) Tim Finn – lead vocals, piano, tambourine; Mike Chunn – bass, piano; Phil Judd – lead vocals, rhythm guitar, mandolin; Wally Wilkinson ...

  4. The greatest New Zealand rock band, they evolved from quirky art rockers into a pop powerhouse thanks to the skills of the brothers Finn. Read Full Biography.

  5. 16 de abr. de 2013 · Wally Wilkinson - guitar. Robert Gillies - sax. Split Enz emerged from the leftfield of the New Zealand music scene in the mid-1970s, but they gradually built a mainstream audience on both sides of the Tasman. Although based in Melbourne and signed to the indie Australian company Mushroom Records for mo.

  6. Wally Wilkinson. Lead Guitar . Miles Golding. Violon . Geoff Chunn. Drums . Malcolm Green. Vocals, Guitar . See more. Albums. All Albums Live Compilations Single. Mental Notes Album - 1975 . Second Thoughts Album - 1976 . Dizrythmia Album - 1977 . Frenzy Album - 1979 . True Colours Album - 1980. 15/20. Waiata (Corroboree) ...

  7. Wally Wilkinson recorded the guitar harmonics at the end of '129', though he admits it wasn’t as easy to play as he’d hoped. His style of sonic flavouring, rather than hard rock guitar, began with this track.