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Peter Blegvad (born August 14, 1951) is an American musician, singer-songwriter, writer, and cartoonist. He was a founding member of German/English avant-pop band Slapp Happy, which later merged briefly with Henry Cow, and has released many solo and collaborative albums.
A History (1986–1989) is a compilation album by The Golden Palominos, released on July 21, 1992, by Mau Mau Records. It contains songs from Blast of Silence (Axed My Baby for a Nickel) and A Dead Horse, excluding "Brides of Jesus" from the former and "Over" from the latter.
3 de ago. de 2019 · This document is a discography of: Peter Blegvad. This list was compiled by John Relph. The information included is from the liner notes of the releases, from the. "Art Control" discography database, from a Fred Frith and Tim Hodgkinson. "rock family tree", and from the Wonderland XTC discography compiled by.
Peter Blegvad was the one who fully betrayed the original spirit of Slapp Happy. First, he collaborated with John Greaves on Kew Rone (Europa, 1976 - Virgin, 1977), a collection of linguistic nonsenses (sung by Lisa Herman) enhanced with an impressive ensemble of rock and jazz musicians (Andrew Cyrille, Michael Mantler, Carla Bley, etc).
Resident in New York in the ’80s, Blegvad hooked up with various musicians working the downtown scene that eventually coalesced around the Knitting Factory. As a member of Anton Fier’s floating Golden Palominos, Blegvad’s songs helped shape the identity of 1986’s Blast of Silence album.
American musician, singer-songwriter and cartoonist born August 14th, 1951 in New York City. He is the son of Lenore and Erik Blegvad, who were respectively, a children's book author and illustrator. Past Bands : Slapp Happy (1972-74), Faust (1973), Slapp Happy/Henry Cow (1974-75), Kew.Rhone (1976), The Lodge (1982-88), Golden Palominos (1985-87).
Straw is also featured on Blast of Silence, which (omitting “Brides of Jesus”) is contained on A History (1986-1989). With such folks as Peter Blegvad, T-Bone Burnett and Matthew Sweet on hand (but notably not Stipe or Lydon), the Palominos here move from pop into rarefied versions of country, folk and blues.
