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Pierre-Joseph Ravel (1832–1908) was a Swiss civil engineer and inventor, father of the composer Maurice Ravel. He was a pioneer of the automobile industry. He invented and drove the steam-powered automobile in the late 1860s, developed an acetylene-powered two-stroke engine, built a racing car that could achieve speeds of up to 6 ...
Pierre-Joseph Ravel Fue un pionero de la industria del automóvil. Inventó y condujo el automóvil a vapor a fines de la década de 1860, desarrolló un motor de dos tiempos impulsado por acetileno, construyó el automóvil de carreras que podía alcanzar velocidades de hasta 6 kilómetros por hora (3.7 mph) y construyó un vehículo que ...
Pierre-Joseph Ravel Fue un pionero de la industria del automóvil. Inventó y condujo un automóvil a vapor a fines de la década de 1860, desarrolló un motor de dos tiempos impulsado por acetileno, construyó un automóvil de carreras que podía alcanzar velocidades de hasta 6 kilómetros por hora (3.7 mph) y construyó un vehículo que ...
Pierre-Joseph Ravel was a civil engineer and inventor who pioneered the automobile industry and patented a steam-powered car. He was the father of the composer Maurice Ravel and a Swiss citizen by marriage.
Pierre Joseph Ravel, one of five children, was born in Versoix, and although he was to pursue a career as an engineer, the father of Maurice Ravel was keenly interested in music. He possessed an inventive, inquisi-tive mind and played a pioneering role in the developing European automobile industry. Pierre Joseph frequently took his sons to visit
Maurice Ravel was born in 1875 in Ciboure, a small village in the Basque region of France, separated from the city of Saint-Jean-de-Luz by the Nivelle River. The first thirty-five years of the life of his mother, Marie Delouart, are a near-total blank. She was apparently born in the Basque region and spent some time in Spain, where she met ...
The Ravel family was close-knit and Pierre-Joseph, a master engineer, inventor and musician manqué, had wholeheartedly supported his son’s musical career. As Marcel Marnat writes, Pierre-Joseph also shared the general opinion that ‘real success for a musician would be conferred in the theatre’.13 This
