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  1. 18 de feb. de 2011 · Andy Warhol, Gold Marilyn Monroe, Silkscreen ink on synthetic polymer paint on canvas, 71.25 x 57 in. (211.4 x 144.7 cm), 1962 (MoMA). Created by Beth Harris...

  2. When conservators Michael Duffy and Emily Mulvihill began the process of restoring Andy Warhol’s Gold Marilyn Monroe (1962), they discovered that all that glitters isn’t gold. The title is a bit of a misnomer. In fact, the commercial paint the artist used to cover the canvas of his modern-day icon was a blend that included a less precious copper-based metal.

  3. 10 de jun. de 2023 · Avec Warhol, Gold Marilyn Monroe (1973), comme pour la série Warhol Diptych (1973-2004) qui suivra, Sturtevant s'est penchée sur la signification culturelle des deux figures star, ainsi que sur les conséquences de la culture de la célébrité dans la pratique artistique.

  4. Andy Warhol’s Gold Marilyn Monroe (1962) clearly reflects this inherent irony of Pop. The central image on a gold background evokes a religious tradition of painted icons, transforming the Hollywood starlet into a Byzantine Madonna that reflects our obsession with celebrity. Notably, Warhol’s spiritual reference was especially poignant ...

  5. 17 de mar. de 2023 · Summary of Gold Marilyn Monroe. Marilyn Monroe’s life, career, and tragic death became a global fascination after her untimely death in August 1962 from an overdose of sleeping pills. Having a fascination with pop culture and celebrity, Warhol acquired a black-and-white photograph that she had taken for a 1953 film called Niagara, and ...

  6. In America, New York’s Museum of Modern Art has held Gold Marilyn Monroe since1962, while the Cleveland Museum of Art has Marilyn x 100, the largest of the Marilyn paintings. The Leeum Samsung Museum in Seoul has the mesmerising Forty-Five Gold Marilyns, made in 1979 as part of Warhol’s Reversal series.

  7. Warhol engaged the image of Marilyn Monroe in variety of works, beginning with Gold Marilyn Monroe (Museum of Modern Art, New York) made in August 1962, shortly after the actress’ death. Rather than using a contemporary image, however, he chose a publicity photograph for the film Niagara (1953), which he then cropped to bring her features ...