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  1. Grant Wood is known for his stylized and subtly humorous scenes of rural people, Iowa cornfields, and mythic subjects from American history—such as the Art Institute’s iconic painting American Gothic (1930). Along with other Midwestern Regionalist painters like John Steuart Curry and Thomas Hart Benton, Wood advocated for a realistic style and recognizable subjects that showed local places ...

  2. 8 de feb. de 2017 · American Gothic has become an American icon, but Regionalism itself would never be thought of as a significant movement in the canon of US art history. Wood must have learnt all about plein-air ...

  3. American Gothic, often understood as a satirical comment on the midwestern character, ... Credit Line: The Art Institute of Chicago, Friends of American Art Collection, 1930.934; Artist: Grant Wood (American, 1891-1942) Additional Items. American Gothic (Supplemental) Get the app.

  4. American Gothic est un tableau de Grant Wood appartenant à la Friends of American Art Collection de l'Art Institute of Chicago.Wood a été inspiré par une maison atypique conçue dans un style d'Europe médiévale dont les détails ont attiré son regard, notamment la présence d'une fenêtre supérieure aux trois arcs en ogive, semblable à celles des églises gothiques [2].

  5. 14 de oct. de 2023 · American Gothic, 1930, can be found in the permanent collection of the Chicago Art Institute, USA. At the time of writing, the painting is on view to the public in the Arts of the Americas Room, Gallery 263.The provenance of the artwork is fairly straight forward, having been sold directly to the Chicago gallery in November 1930 from Grant Wood ...

  6. 22 de ago. de 2021 · Seriously Funny: American Gothic Parodies. Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art.

  7. American Gothic’ was first exhibited at The Forty–third Annual Exhibition of American Paintings and Sculpture at the Art Institute of Chicago in October 1930. Wood received a bronze medal and a prize of $300 after the Painting, a not inconsiderable sum for a struggling artist.