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El beso de la pantera es una película dirigida por Paul Schrader con Nastassja Kinski, Malcolm McDowell, John Heard, Annette O'Toole .... Año: 1982. Título original: Cat People. Sinopsis: Kinski interpreta a una mujer de la raza humana felina, que se convierte en pantera en determinadas situaciones. Un día dedice ir a Nueva Orleans a visitar a su hermano (Malcolm McDowell), y allí un ...
Cat People features bloody dismemberment, transformative body horror, animal magnetism, and female desire. Schrader's openly sexual direction is captivating with a curiosity and playful adoration ...
Cat People is a 1942 American supernatural horror film directed by Jacques Tourneur and produced for RKO by Val Lewton. The film tells the story of Irena Dubrovna, a newly married Serbian fashion illustrator obsessed with the idea that she is descended from an ancient tribe of Cat People who metamorphose into black panthers when aroused.
Cat People. It is a preposterous idea. Untold centuries ago, when all the world was a desert of wind-whipped, blood-orange sand, and leopards lounged lazily in barren trees and arrogantly ruled all they could see, a few members of the puny race of human beings made their own accommodation with the fearsome beasts.
The Cat People originated way back in time, when humans sacrificed their women to leopards, who mated with them. Cat People look similar to humans, but must mate with other Cat People before they transform into panthers. Irene Gallier was raised by adoptive parents and meets her older brother Paul for the first time since childhood.
"Cat People" came out in 1982 and is a modern take on the classic 1942 film. Nastassja Kinski and Malcolm McDowell are siblings cursed to become were-panthers if sexually aroused. The only way they can become human again is to kill a fellow human. The idea is absurd and fantastical, but "Cat People" takes the subject absolutely seriously.
30 de nov. de 2022 · As the Inquirer’s resident body horror correspondent (a title I’m bestowing upon myself), it felt natural that I should be the one to review Paul Schrader’s 1982 Cat People as one of my contributions to the slate of reviews we have covering Static Vision’s Metamorphoses festival. The fact that it was screening in a double feature with ...
