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Sir Doug & The Genuine Texas Cosmic Groove tells the story of Doug Sahm, the wild man musicians’ musician and unsung hero of Texas music. A kinetic, quirky character with a solid sense of place as well as an innate wanderlust, Doug Sahm’s story is the story of Texas music. The film premiered at SXSW in 2015, and was released on Amazon Prime ...
Doug Sahm. Douglas Wayne Sahm (* 6. November 1941 in San Antonio, Texas; † 18. November 1999 in Taos, New Mexico) war ein US-amerikanischer Country-, Blues- und Rockmusiker. Er gilt als wichtigste Figur des sogenannten Tex-Mex -Stils und war vor allem bekannt als Leader des Sir Douglas Quintet und später der Texas Tornados .
Doug Sahm was born 6 November 1941 in San Antonio, Texas, USA and died 18 November 1999 in Taos, New Mexico, USA. He is probably most famous as the leader of Sir Douglas Quintet. Doug Sahm excelled in a wide range of genres throughout his career and influenced both the Texas and national music scenes.
Doug Sahm's other son, Shandon Sahm, is the drummer for the Meat Puppets as of 2010. Sahm has been named into in the South Texas Music Walk of Fame. In 2008, he was inducted into the Austin Music Memorial, in the first group. He also was given the Americana Music Association (AMA)'s Presidents Award in 2002.
The discography of Doug Sahm started in 1955 with the release of "A Real American Joe" on Sarg Records. Sahm fronted three bands early in his career: The Pharaohs, The Dell-Kings and The Markays. He released the song "Crazy Daisy" (1959), and he had a local hit in San Antonio, Texas with "Why Why Why" (1960) on Renner Records. Sahm had another local hit with "Crazy, Crazy Feeling" (1961).
18 de nov. de 1999 · Explore Doug Sahm's discography including top tracks, albums, and reviews. Learn all about Doug Sahm on AllMusic.
1 de ago. de 2010 · Doug Sahm and Band, Atlantic 1973. Sahm is joined by a diverse cast on this ultimate jam session album, where street-level San Antonio pals like Atwood Allen’s “Gonna Be Easy” sit right next to “voice of the generation” Bob Dylan’s “Wallflower” and show that good time grooves are the universal language. 4.
