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29 de abr. de 1983 · The Hunger: Directed by Tony Scott. With Catherine Deneuve, David Bowie, Susan Sarandon, Cliff De Young. A love triangle develops between a beautiful yet dangerous vampire (Catherine Deneuve), her cellist companion (David Bowie), and a gerontologist (Susan Sarandon).
The Hunger is a film directed by Tony Scott with Catherine Deneuve, David Bowie, Susan Sarandon, Cliff De Young .... Year: 1983. Original title: The Hunger. Synopsis: The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case with John, so ...You can watch The Hunger ...
THE HUNGER. Directed by. Tony Scott. United Kingdom, 1983. Horror, LGBTQ+. 97. Synopsis. Horror story set in 20th century New York. Miriam Blaylock is a woman who belongs to an ancient race which possesses the secret of eternal life. ... Tony Scott. United Kingdom, 1983. Horror, LGBTQ+. 97. Synopsis.
The Hunger: Directed by Tony Scott. With Catherine Deneuve, David Bowie, Susan Sarandon, Cliff De Young. A love triangle develops between a beautiful yet dangerous vampire (Catherine Deneuve), her cellist companion (David Bowie), and a gerontologist (Susan Sarandon).
Begierde (Originaltitel: The Hunger) ist ein britischer Horrorfilm aus dem Jahr 1983. Der Regisseur ist Tony Scott, der mit diesem Film sein Spielfilm-Debüt ablieferte.In den Hauptrollen sind Catherine Deneuve und David Bowie als Vampirpaar zu sehen, das Menschenblut braucht, um das ewige Leben nicht zu verlieren. Überraschend beginnt John eines Tages zu altern und wendet sich an die ...
The Hunger is a deafening call to arms, ... Tony Scott understands that vampires aren't only sensual because of their methods, but because of a long-standing rebellion against the sickly odor of death. John (David Bowie) and Miriam (Catherine Deneuve) exist with a special degree of grace, ...
The Hunger (1983) R 04/29/1983 (US ... and that nothing I had ever watched by Tony Scott, with the exception of 'Crimson Tide', really gripped me as being cinephilically exceptional. And no, this really isn't either. But I threw it on anyway, and especially considering it was Scott's debut, this wasn't so bad as to make Bram Stoker roll ...
