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  1. Harmony Vocals – Shawn Colvin. Vocals, Acoustic Guitar – John Gorka. Bass – Vic Colucci. Harmony Vocals – Shawn Colvin. Vocals, Acoustic Guitar – John Gorka. 3:46: 5: Full Of Life. ... Land of the Bottom Line. 3:35; That's How Legends Are Made. 4:48; The One That Got Away. 3:46; Raven In the Storm. 3:16; Stranger In My Driver's Seat ...

  2. Listen free to John Gorka – Land Of The Bottom Line (Land of the Bottom Line, Armed with a Broken Heart and more). 15 tracks (58:29). Discover more music, concerts, ... Shawn Colvin. 410,443 listeners Mary Chapin Carpenter. 220,875 listeners Patty Griffin. 324,836 listeners Lyle Lovett. 214,177 ...

  3. 9 de ago. de 2019 · 9.1. —. Bottom Line. Colvin is not creating a recapitulation of her songs; it is her desire to deepen and celebrate the songs that catapulted her career. Steady On, has a relevance in the fabric of modern society that has touched many artists and listeners in a 30-year span, even Colvin herself. Colvin explains, “I was 32 years old, and the ...

  4. en.wikipedia.org › wiki › Jack's_CrowsJack's Crows - Wikipedia

    Land of the Bottom Line (1990) Jack's Crows (1991) Temporary Road (1992) Jack's Crows is an album by the American musician John Gorka. ... Shawn Colvin sang on two of Jack's Crows' tracks. Critical reception. Professional ratings; Review scores; Source Rating; AllMusic:

  5. 8 de jun. de 2015 · Provided to YouTube by ColumbiaTwilight (Live at the Bottom Line, NYC, NY - August 1993) · Shawn ColvinCover Girl℗ 1994 SONY BMG MUSIC ENTERTAINMENTReleased ...

  6. Nov 19, 2024. Vacaville Performing Arts Theatre. Vacaville, CA. Shawn Colvin & KT Tunstall. Tickets. Discover the latest Shawn Colvin tour dates near you. Stay updated on upcoming shows, venues, and ticket availability. Don't miss your chance to experience Shawn Colvin's captivating performances firsthand. Plan your next concert experience today!

  7. Shawn Colvin is one of the leading lights of the so-called "new folk movement" that began in the late '80s. Although she grew out of the somewhat limited "woman with a guitar" school, she kept the form fresh with a diverse approach, avoiding the genre's clichéd sentiments and all-too-often formulaic arrangements in favor of a more personal, pop-influenced style.