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  1. But even if the racy cover of The Pros and Cons of Hitch Hiking dramatically casts Waters as some modern-aged sexist, the contents of the album don’t quite share the same sentiment. Instead, opening track “4.30 AM (Apparently They Were Traveling Abroad)” introduces us to Reg, who divulges his tale with the greatest reluctance: “We were ...

  2. 7 de dic. de 2006 · 5:01AM (The Pros and Cons of Hitch Hiking, Pt. 10) 11: 5:06AM (Every Strangers Eyes) 12: 5:11AM (The Moment of Clarity) ... It took me a few playbacks to grasp Roger Waters loud rants, whispering lows, Eric Clapton's blues and soulful back-up singers meshing together as one in a dream concept.

  3. Roger took The Wall and what became his 1984 solo debut, The Pros & Cons of Hitch Hiking, to the band and they chose to record The Wall. The recording of The Wall was difficult -- Wright left the band and became a contract player -- but the 1979 double-album was a smash, leading to a 1982 feature film produced by Alan Parker.

  4. The Pros and Cons of Hitch Hiking ist das erste Soloalbum von Roger Waters aus dem Jahr 1984. Er veröffentlichte das Album ein Jahr vor Verlassen der Band Pink Floyd. Es wurde im April 1995 in den USA durch die Recording Industry Association of America mit Gold ausgezeichnet.

  5. 9 de dic. de 2020 · 1984. First solo album by Roger Waters, released one year before he departed from Pink Floyd. It was certified gold in the United States by the Recording Ind...

  6. 11 de sept. de 2007 · progaardvark. If you exclude Roger Waters' collaborative work with Ron Geesin, The Pros and Cons of Hitch Hiking marked his debut as a solo artist. The beginnings of this album date back to 1978 when Waters played demos of it and The Wall to his band mates in Pink Floyd. They of course decided The Wall was better, so The Pros and Cons of Hitch ...

  7. 1 de ene. de 2018 · Right to come G C Am Gently removing her heart F G With his promises of real communication F# F Who's always picking up the tab C Who built a bungalow for his mum and dad F Who took you out to all the shows C Who worked his fingers to the bone G While you were asleep F# F I kept you in buttons and bows C So you could encourage this creep F# F ...