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  1. Tony Richardson. Antonio Richardson (born December 17, 1971) is an American former football fullback in the National Football League (NFL) for the Dallas Cowboys, Kansas City Chiefs, Minnesota Vikings and New York Jets. He was signed by the Dallas Cowboys as an undrafted free agent in 1994. He played college football at Auburn University .

  2. Cecil Antonio "Tony" Richardson, född 5 juni 1928 i Shipley i West Yorkshire, död 14 november 1991 i Los Angeles, Kalifornien, var en brittisk filmregissör. [1] Biografi. Richardson var ursprungligen dokumentärfilmare och medlem av rörelsen Free Cinema på 1950-talet. I nära samarbetet ...

  3. www.allocine.fr › personne › fichepersonne_gen_cpersonne=2775Tony Richardson - AlloCiné

    Un peu long mais très plaisant. Tony Richardson est un Réalisateur, Scénariste, Producteur britannique. Découvrez sa biographie, le détail de ses 66 ans de carrière et toute son actualité.

  4. 托尼·理查森(Tony Richardson,1928年6月5日-1991年11月14日),英国导演、制片人。托尼曾因执导电影《汤姆·琼斯》而获得第36届学院奖导演奖。1991年他因艾滋病去世,终年63岁。

  5. 14 de nov. de 1991 · Tony Richardson ist der Vater der Schauspielerinnen Joely und Natasha Richardson. Beide Töchter entstammen seiner Ehe mit Vanessa Redgrave. Weitere Filme von Tony Richardson: das Melodram "Der Komödiant" (1960) mit Laurence Olivier, " Bitterer Honig " (1961) mit Rita Tushingham, "Kelly, der Bandit" (1969) mit Rolling-Stones-Frontmann Mick ...

  6. 14 de nov. de 1991 · Cecil Antonio "Tony" Richardson (5 June 1928 – 14 November 1991) was an English filmmaker. He won two Academy Awards for directing and producing comedy film Tom Jones (1963). Description above from the Wikipedia article Tony Richardson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

  7. www.encyclopedia.com › film-and-television-biographies › tony-richardsonTony Richardson | Encyclopedia.com

    27 de jun. de 2018 · Tony Richardson belongs to that generation of British film directors which includes Lindsay Anderson and Karel Reisz, all of them university-trained middle-class artists who were sympathetic to the conditions of the working classes and determined to use cinema as a means of personal expression, in line with the goals of the "Free Cinema" movement.

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