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30 de mar. de 2018 · Bill Gunn, Personal Problems, 1980, U-Matic video, color, sound, 164 minutes. These scenes, with their jumble of slurred, jostling, overlapping dialogue and feeling for bibulous, raucous male bonding, suggest an African American equivalent to John Cassavetes’s Husbands (1970)—though Gunn and Reed were working still further outside of the studio system than Cassavetes was, with even less ...
“Bill Gunn’s long-lost, wondrous opus Personal Problems feels it’s own organic way into the unsung lives of it’s African-American characters.” – Howard Hampton, Film Comment “Bill Gunn inspired a legion of underground and avant-garde painters and dramatists to be as strange as they actually were.
27 de ago. de 2020 · Lucky for us, Bill Gunn was available. We had little money—$40,000—but had an outstanding cast and crew. The result was Personal Problems. While Gunn’s previous creations had been stunted by producers who attempted to commercialize him, I insisted that he be given total control over this film.
29 de mar. de 2018 · NYT Critic’s Pick. Directed by Bill Gunn. Drama. 2h 45m. By Glenn Kenny. March 29, 2018. A video-shot story conceived as a “meta-soap opera,” “Personal Problems,” a 1980 collaboration ...
13 de may. de 1973 · The Eclipsed Vision of Bill Gunn:An African-American Auteur's Elusive Genius, from Ganja & Hess to Personal Problems (Preview)by Steve Ryfle. Bill Gunn, circa 1973. Bill Gunn was furious. The press had panned Ganja & Hess, his genre-defying art/horror film, with a mixture of disdain, bewilderment, and indifference.
Personal Problems: director Filmography (as actor) Year Title Role Notes 1957 Look Up and Live: George Episode: "No Man Is an Island" Crossroads: Roy Short ... "Bill Gunn (1929–1989): A Checklist of His Films, Dramatic Works and Novels." Black American Literature Forum. 25.4 (1991): 781- (7p). External links. Bill Gunn at ...
Personal Problems is a 1980 film described as a "meta soap opera" directed by Bill Gunn and written by Ishmael Reed that depicts the life and personal relationships of an African American nurse living in Harlem. The film was originally intended to be broadcast on television, but the public television network PBS and others did not pick up the soap opera.
