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  1. My Life in the Bush of Ghosts est un album issu d'une collaboration entre Brian Eno et David Byrne, sorti en février 1981.Ce disque est basé sur l'usage de voix enregistrées à la radio ou sur disques. Le titre est tiré du roman éponyme de Amos Tutuola, la pochette originale est de Peter Saville.. À la suite d'une plainte du Islamic Council of Great Britain (en), le titre Qu'ran ...

  2. My Life in the Bush of Ghosts does make me wonder, though, how Byrne or Eno would react if Dunya Yusin spliced together a little of “Animals” and a bit of “The Paw Paw Negro Blowtorch ...

  3. Before My Life In The Bush Of Ghosts came into being, Brian Eno and David Byrne had worked together on Talking Head’s Fear Of Music and Remain In Light, with Eno handling production duties.Bush Of Ghosts started through their fascination with tribal music and culture. Originally, this project was going to be a field recording from a fake tribe. Byrne once said "We'd invent a whole culture to ...

  4. Brian Eno · Album · 1981 · 18 songs. ... Listen to My Life in the Bush of Ghosts on Spotify. Brian Eno · Album · 1981 · 18 songs. Brian Eno · Album · 1981 · 18 songs. Home; Search; Resize main navigation. Preview of Spotify. Sign up to get unlimited songs and podcasts with occasional ads. No credit card needed.

  5. 4 de jul. de 2019 · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

  6. Amazonレビュー. Released in 1981, My Life in the Bush of Ghosts is a collaboration between ambient pioneer Brian Eno and Talking Heads frontman David Byrne. On Ghosts, the two strong-willed musicians manage to come to a meeting of the minds, blending Byrne's herky-jerky funk with Eno's atmospheric sound sculpting.More than anything, this is a large album, intent on pushing itself to the ...

  7. About This Album. When the David Byrne / Brian Eno collaboration My Life in the Bush of Ghosts was first released in 1981, Rolling Stone called it “an undeniably awesome feat of tape editing and rhythmic ingenuity.”. It was widely considered a watershed record for future genres from world music to electronica, and almost 25 years later, the ...