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Two young lovers, Claudio and Hero, are to be married imminently but the devious scheming of a resentful Prince looks set to thwart the nuptials. Meanwhile, marriage seems inconceivable for reluctant lovers Beatrice and Benedick whose endless witty sparring threatens to keep them apart forever. Directed by Josie Rourke, Artistic Director of the Donmar Warehouse, Much Ado About Nothing is one ...
2 de jul. de 1993 · ReelViews. Much Ado about Nothing is a gem of a movie - a real find in 1993's sea of mediocrity. Branagh has successfully used a mixed cast of "names" and "unknowns" to breathe life into this lavish production, and never has Shakespeare been more warmly received. I'm not sure if "feel good" has ever been used to describe a picture based on the ...
Much Ado About Nothing is a comedy by William Shakespeare thought to have been written in 1598 and 1599. The play was included in the First Folio, published in 1623. ... In 2015, Owen Drake created a modern movie version of the play, Messina High, starring Faye Reagan.
Much Ado About Nothing. Kenneth Branagh brings the William Shakespeare play to life in this 'spirited' (Variety) adaptation of the classic comedy. IMDb 7.3 1 h 50 min 1993. PG-13. Comedy · Romance · Feel-good · Exciting. This video is currently unavailable. to watch in your location.
Much Ado About Nothing Comedy 1993 1 hr 46 min iTunes Available on iTunes Don Pedro, a prince returning from war, stays at a lively Italian villa where he pairs Benedick and Beatrice and woos Hero for Claudio. Comedy 1993 ...
Much Ado About Nothing closes on a delightfully life-affirming note, and that's really something. Director: Kenneth Branagh Producers: Kenneth Branagh, ... and then felt the Shakespearean itch that resulted in Much Ado About Nothing and later in movie versions of Hamlet (1996), Love's Labour's Lost (2000), and As You Like It (2006).
21 de jun. de 2013 · Joss Whedon firmly places "Much Ado About Nothing" in the screwball tradition where it belongs. Any rom-com we see today is haunted by the arguing defensive love-mad ghosts of Beatrice and Benedick, the reluctant, verbal-barb-trading lovers. Watching Amy Acker and Alexis Denisof battle it out, in words and in a near wrestling match near the end of the film, is a supreme pleasure.
