Resultado de búsqueda
Solace est le deuxième album studio du groupe de Deathcore canadien Ion Dissonance, sorti le 6 septembre 2005 sur le label Abacus Recordings.. C'est le dernier album de Ion Dissonance enregistré avec le chanteur Gabriel McCaughry. Ce dernier quittera en effet le groupe avant l'enregistrement de leur album studio suivant, Minus the Herd. ...
Staring at the flickering streetlights... Gently pressing my palm against the dead-cold iron of the pole. The lights suddenly shut and again I'm left alone with my thoughts. Navigating directionless on a stream of a grey density, hiding in the confinement of a filthy back alley...
6 de sept. de 2005 · Solace by Ion Dissonance released in 2005. Find album reviews, track lists, credits, awards and more at AllMusic.
6 de sept. de 2005 · Solace is the second album by Ion Dissonance, released in 2005. * Genre: mathcore. * Instruments: drums, bass, guitars and vocals (screams). * Tempo: frequently changes, ranges from slow to very fast. * Production: crunchy and heavy.
Bedlam reigns supreme as Ion Dissonance offers up a bombardment of angular, disorderly musical expression on their sophomore effort, Solace. While the band's intense potential was abundantly articulated on their previous release, Breathing Is Irrelevant, this latest platter of mind-melting madness finds the group cranking up the intensity numerous notches…
9 de dic. de 2014 · Ion Dissonance Montreal, Québec. placeholder. BAND MEMBERS: Vocals: Kevin Guitars: Sebastien Guitars: Antoine Bass: Dominic Drums: Jean-Francois. Facebook; indiemerchstore.com ... Solace (Reissue) by Ion Dissonance. supported by 18 fans who also own “Ill Will (DEMO MMXIV) ...
Ion Dissonance's second album sees the mathcore madmen branching out into slower and groovier areas, but only sometimes and only slightly. They definitely incorporate this style very well into their sound though as it never sounds out of place, but then again you may be asking yourself how anything can sound out of place when the music sounds so chaotic.
