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20 de ago. de 2012 · Les Prédateurs est un film réalisé par Tony Scott avec Catherine Deneuve, ... Titre original The Hunger Presse . 5,0 3 critiques. Spectateurs . 3,6 958 notes, 124 critiques. Mes amis --VOD.
Miriam si sveglia a mezzanotte (in inglese The Hunger, "La fame") è un film del 1983 di Tony Scott interpretato da Catherine Deneuve, David Bowie e Susan Sarandon.Opera d'esordio del regista, il film è tratto dal romanzo The Hunger di Whitley Strieber.. Il film fu presentato fuori concorso al 36º Festival di Cannes.
4 de jun. de 2013 · Hunger, The (1983) -- (Movie Clip) That's A Two Thousand Dollar Monkey More artful work from director Tony Scott, probably-vampire David Bowie arising, with partner Catherine Deneuve, then joining Susan Sarandon, who evidently is a researcher at a lab where the primates went wild during the couple’s lustful evening activities, early in The Hunger, 1983.
The Hunger (1983) [1080p BluRay] by Tony Scott. Publication date 1983 Topics The Hunger, 1983, 1080p, BluRay, Tony Scott, Catherine Deneuve, David Bowie, Susan Sarandon, Srama, Horror Language English. A love triangle develops between a beautiful yet dangerous vampire (Catherine Deneuve), her cellist companion (David Bowie), and a
30 de dic. de 2023 · Sin embargo —y a pesar de que personalmente es un director que apenas me interesa— Tony Scott fue capaz de llevar a cabo una filmografía de la que puede extraerse al menos un mito comercial de su época (Top Gun, 1986), y una serie de películas en las que puede apreciarse su impronta (resulte más o menos interesante) como autor, algo que en esta The Hunger —su debut en el largometraje ...
I loved this piece used in Tony Scott's 80's vampire flick "The Hunger" I edited a few scenes to go with the track...concentrating on Bowie's aging process. ...
For the first beat of his first theatrical feature, Tony Scott made no little choices. When the little brother of Blade Runner and Alien mastermind Ridley Scott made the leap from television commercials to cinema with 1983's The Hunger, he opened that film with one of the most in-your-face gestures of uncut style to be found anywhere in English-language cinema in the 1980s.
