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  1. Mauritshuis. Girl with a Pearl Earring (c. 1665 (digitized by Madpixel)) by Johannes Vermeer Mauritshuis. Johannes Vermeer’s Girl with a Pearl Earring is the most famous painting in the Mauritshuis and is probably Vermeer’s most celebrated work. So many have been captivated by the way the girl turns towards the viewer, by her gaze, by the ...

  2. Transcript. Johannes Vermeer, Girl with a Pearl Earring, c. 1665, oil on canvas, 44.5 x 39 inches (Mauritshuis, The Hague). A conversation with Dr. Steven Zucker and Dr. Beth Harris. Questions.

  3. View full lesson: http://ed.ted.com/lessons/why-is-vermeer-s-girl-with-the-pearl-earring-considered-a-masterpiece-james-earleIs she turning towards you or aw...

  4. Banksy even turned her into graffiti on a Bristol wall, with a security alarm in place of her earring. Vermeer's Girl with a Pearl Earring hanging at the Mauritshuis (From the collection of Mauritshuis) It wasn’t always so iconic, though. We don’t know whom Vermeer first painted it for in 1665-66, but it ended up in his patron’s ...

  5. Vermeer painted Girl with a Pearl Earring around 1665.It is one of just 35 paintings attributed to the painter, who saw moderate success during his lifetime. Along with another genre painting (titled The Milkmaid), Girl with a Pearl Earring is Vermeer's most well-known work of art.However, it did not attain international fame at its time of completion.

  6. Interpretation of Girl with a Pearl Earring. Nicknamed the "Mona Lisa of the North", this beautiful painting - one of the most famous Baroque portraits - shows that, in addition to his mastery of Dutch Realist genre painting, Vermeer was also a master portraitist. His skill in painting the heads of young women is well known from works like Head ...

  7. Banksy even turned her into graffiti on a Bristol wall, with a security alarm in place of her earring. Vermeer's Girl with a Pearl Earring hanging at the Mauritshuis (From the collection of Mauritshuis) It wasn’t always so iconic, though. We don’t know whom Vermeer first painted it for in 1665-66, but it ended up in his patron’s ...

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