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In 1953 Paul and Gertrud Hindemith moved into the Villa La Chance in Blonay above Lake Geneva in Switzerland. The address of this refuge was known only to their closest friends and relatives. Today, Hindemith's private library, his picture collection and a few other objects, such as his grand piano, are kept and made accessible at the Musicological Institute of the University of Zurich, his ...
Biografia Epigrafe commemorativa sulla casa di Hindemith negli anni Trenta. Hindemith imparò ... Paul Hindemith. Vita e opere, Genova, De Ferrari, 1995, ISBN 978-8-871-72033-3; Gianmario Borio, Oggettivismo e classicità in Hindemith e Busoni, in S. Sablich (a cura di), Il flusso del tempo.
Paul Hindemith (born November 16, 1895, Hanau, near Frankfurt am Main, Germany—died December 28, 1963, Frankfurt am Main) was one of the principal German composers of the first half of the 20th century and a leading musical theorist.He sought to revitalize tonality—the traditional harmonic system that was being challenged by many other composers—and also pioneered in the writing of ...
BIOGRAFÍA. Paul Hindemith ya era un buen violinista a la edad de once años cuando se escapó de casa para convertirse en músico. Su principal instrumento fue el violín pero se le consideraba un virtuoso consumado en el viola también. Mientras asistía a clases en el Conservatorio, se ganaba la vida tocando violín.
Often dismissed today as a dry neo-classicist, the German composer Paul Hindemith was in fact one of the most visionary figures of his time, says John Allison. Here he explores his life and works
Bronislaw Huberman, Pablo Casals, Artur Schnabel, Paul Hindemith, Wien 1933. Hindemith now made ever more frequent appearances as a soloist at orchestral concerts as well. He composed the solo concertos for viola ( Kammermusik No. 5, Op. 36/4) and viola d'amore ( Kammermusik No. 6, Op. 46/1), as well as the Konzertmusik Op. 48 for solo viola ...
IN many respects Paul Hindemith, who died on Saturday, Dec. 28, at the age of 63 was the last of the German baroque composers. Like them he adopted a utilitarian, practical view toward music.
