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17 de mar. de 2010 · In the late sixties, Pauline Kael’s exhilarating review of “Bonnie and Clyde” burst upon the scene, announcing a revolution in cinematic taste. Arthur Penn’s 1967 film, ...
16 de sept. de 2017 · In her iconic review of Bernardo Bertolucci’s Last Tango in Paris, Pauline Kael heralds the film’s premiere as a pivotal moment in cinematic history, paralleling its impact to the premiere of “Le Sacre du Printemps” in the music world.She celebrates the film for breaking through the norms of mechanized, passionless cinematic sexuality by presenting a raw, emotionally charged sexual ...
Pauline Kael Reviews A-Z. To find a movie title, click on a letter. Each link contains between 20-30 reviews. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Enjoy! (To view Guest Book, click here) Choose a Movie Title (click on a letter)
WE STILL KILL THE OLD WAY (A CIASCUNO IL SUO, 1967): BUSINESS AS USUAL – Review by Pauline Kael Weekend (1967) – Review by Pauline Kael Why Are Movies So Bad? Wings of Desire (1987) | Review by Pauline Kael WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (1988) – Review by Pauline Kael Yellow ...
3 de nov. de 2011 · To quote the immortal title of her 1965 collection of movie reviews, Pauline Kael may have "lost it at the movies," but she infinitely renewed her wide-eyed wonder as a moviegoer in her essays for ...
16 de sept. de 2017 · Out There and in Here. by Pauline Kael “Maybe I’m sick, but I want to see that again.” —Overheard after a showing of Blue Velvet.. When you come out of the theatre after seeing David Lynch’s Blue Velvet, you certainly know that you’ve seen something.You wouldn’t mistake frames from Blue Velvet for frames from any other movie. It’s an anomaly—the work of a genius naïf.
13 de jun. de 2019 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.
