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Ryuichi Sakamoto. Ryuichi Sakamoto (坂本 龍一 [a] , Sakamoto Ryūichi, 17 Januari 1952 – 28 Mac 2023) ialah seorang komposer, penerbit rakaman dan pelakon Jepun yang mengejar pelbagai gaya sebagai artis solo dan sebagai ahli Yellow Magic Orchestra (YMO). Bersama rakan kumpulannya Haruomi Hosono dan Yukihiro Takahashi, Sakamoto ...
Yellow Magic Orchestra (abbreviated to YMO) was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals, occasional keyboards) and Ryuichi Sakamoto (keyboards, vocals). [4] The group is considered influential and innovative in the field of popular electronic music.
Media Bahn Live. (1986) Futurista (未来派野郎, translates literally as "Futurist Bastard") is a 1986 album by Ryuichi Sakamoto with themed references to the Futurist Movement. [1] ". Parolibre" and "Variety Show" include voice recordings of Futurist Filippo Tommaso Marinetti [2] "G.T. II" contains samples from the song "Legs" by Art of Noise .
Ryūichi Sakamoto. Ryūichi Sakamoto ( jap. 坂本 龍一; 17. tammikuuta 1952 − 28. maaliskuuta 2023 [1]) oli japanilainen muusikko, näyttelijä ja elokuvamusiikin säveltäjä. Sakamoto syntyi Nakanossa, Tokiossa. Hän opiskeli Tokion kansallisessa taide- ja musiikkiyliopistossa ja kuului vuonna 1978 Yellow Magic Orchestran perustajajäseniin.
Chasm (stylized as CHASM) is the 15th studio album by Ryuichi Sakamoto and was released in 2004. The album is experimental, pairing Sakamoto's piano work with ambient and glitch programming. Notably, Sakamoto's former bandmates from Yellow Magic Orchestra, Haruomi Hosono and Yukihiro Takahashi, contribute on several songs under their own ...
Robert Christgau. [3] Beauty is the eighth solo studio album by Japanese musician Ryuichi Sakamoto. Both a Japanese and an international version were released by Virgin Records in 1989 and 1990, respectively. The international release contains the track "You Do Me (Edit)" featuring singer Jill Jones, a song previously released as a single.
async is the nineteenth solo studio album of Japanese musician Ryuichi Sakamoto and his first one in eight years since Out of Noise (2009). It is also his first full-length solo record since recovering from throat cancer in 2015. Consisting of a combination of bizarre interpretations of familiar musical instruments, unusual textures both acoustic and electronically-made, samples of recordings ...
