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20 de ene. de 2012 · We are proud to announce our design of the latest John Foxx and the Maths Album: The Shape of Things. The Shape of Things is the follow up album to Interplay and we wanted to keep the same strong graphic style. Influenced by 1960s paperback novels and infographics from the 1970s, with a modern twist. Instead of cold statistical analysis though ...
20 de dic. de 2012 · Music Reviews: The Shape of Things by John Foxx released in 2012. Genre: Electronic.
27 de mar. de 2012 · Gary Numan) [Remixes] - EP. Officers. European Splendour. John Foxx & Jori Hulkkonen. The Golden Hour of the Future: 10 Track Digital Sampler - EP. The Future & The Human League. Wired: Northern Kind. Listen to The Shape of Things by John Foxx & The Maths on Apple Music. 2012. 15 Songs.
The Shape Of Things: John Foxx And The Maths: Amazon.es: CDs y vinilos} Saltar al contenido principal.es. Entrega en Madrid 28008 Actualizar ubicación Música: CDs y vinilos. Selecciona el departamento que quieras buscar. Buscar Amazon.es. ES. Hola, identifícate. Cuenta y listas ...
John Foxx (born Dennis Leigh; 26 September 1948) is an English singer, musician, artist, photographer, graphic designer, writer, teacher and lecturer. ... The Shape of Things, was also announced prior to the tour and was initially only available for purchase at tour venues. In January 2013, ...
‘The Shape Of Things’ is, like the debut, rooted in analogue synths and drum machines. The sound is stark and minimal, early eighties electro-pop and Kraftwerk are two obvious reference points. There is a great combination between the retro and the futuristic as Foxx’s synth-pop classicism aligns with Benge’s progressive production skills.
Diese Diskografie ist eine Übersicht über die musikalischen Werke des britischen Musikers John Foxx. Seit 1977 veröffentlichte er 40 Studioalben, zwölf Kompilationen, fünf ... John Foxx and the Maths The Shape of Things Doppelalbum Metamatic Elektropop John Foxx & Theo Travis: Torn Sunset Album Edsel Ambient 2012 John Foxx and the Maths ...
