Resultado de búsqueda
4 de sept. de 2012 · Objectivity and Subjectivity. Perhaps the most familiar basic issue in the theory of beauty is whether beauty is subjective—located ‘in the eye of the beholder’—or rather an objective feature of beautiful things.
- Academic Tools
Johann Christoph Friedrich Schiller (1759–1805) is best...
- Croce’s Aesthetics
The practical divides into the economic—by which Croce means...
- French, in the 18th Century
French philosophers of the Ancien Régime wrote treatises on...
- Hume’s Aesthetics
David Hume’s views on aesthetic theory and the philosophy of...
- Kant’s Theory of Judgment
Theories of judgment, whether cognitive (i.e.,...
- Feminist Aesthetics
Feminist perspectives in aesthetics are also attuned to the...
- British, in the 18th Century
The beauty we attribute to inanimate nature signifies the...
- Academic Tools
23 de nov. de 2019 · Beauty experiences have both subjective and objective aspects. The feeling of beauty happens inside us, but there is something real about the beauty stimulus. It is the dialectic, the relationship, between the inner and the outer that creates an experience of beauty. Download chapter PDF.
The first two, Thomas Aquinas and Immanuel Kant, though centuries apart and radically different in their worldviews, both attempted to explain the nature of beauty as something that is universal, yet subjectively known; as something both transcendent and immanent.
12 de sept. de 2023 · If the perception of beauty is subjective and shaped by fundamentally different factors and different tastes, how do evaluations of beauty align almost with suspicious ease? The answer is quite simple.
16 de nov. de 2019 · Is beauty subjective or objective? Once limited to Philosophy, this question is increasingly capturing scientists’ attention. Here, we discuss neuroscientific support for both viewpoints. Our...
28 de feb. de 2003 · Kant isolated two fundamental necessary conditions for a judgment to be a judgment of taste— subjectivity and universality (Kant 1790/2000). Other conditions may also contribute to what it is to be a judgment of taste, but they are consequential on, or predicated on, the two fundamental conditions.
What is beauty, and does a universal standard of beauty exist? Over the last two decades, these questions have been the subject of renewed interest and attention from scholars in both philosophical aesthetics and empirical sciences.
