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5 de mar. de 2013 · Fin de Copenhague is a premonition of the most disenchanted and deconstructed pages of Adbusters half a century later. “Le problème est résolu” declares one of the clippings. Jorn and Debord’s answer to this unduly confident claim is a page of nothing but splatters.
Mémoires was the second collaboration between the writer, activist, and founder of the Situationist International Guy Debord and the artist Asger Jorn; in 1957 they had created Fin de Copenhague, an illustrated book that was allegedly made in a twenty-four hour period.
Fin de Copenhague (Goodbye to Copenhagen) is the first collaboration between the two artists. The artists' book is credited to Asger Jorn, with Debord listed as "Technical Adviser in Détournement".
The article presents and analyses Fin de Copenhague, which was published in 1957 by the Danish painter Asger Jorn and the French theorist and activist Guy Debord.
21 de ago. de 2013 · As the war was waging outside the BnF’s walls, it was awkwardly ensconced within them too; in keeping with the Sun Tzu reference in the title, ‘Guy Debord: An Art of War’ largely confined its attentions to Guy Debord the strategist.
This article discusses Fin de Copenhague, a Situationist book experiment from 1957 by Asger Jorn and Guy Debord. By way of a contextualizing archival study with special attention to Jorn's contemporaneous book project Pour la forme, the article demonstrates that the Russian avant-garde book was a key influence if also a point of critical departure.
10 de jun. de 2019 · Guy Debord, its leading French member, has been cast as the undisputed author of situationist praxis and his ‘Rapport sur la construction des situation’ (1957) understood as the SI’s launching manifesto.
