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Glenn Herbert Gould (/ ɡ uː l d /; né Gold; 25 September 1932 – 4 October 1982) was a Canadian classical pianist. He was among the most famous and celebrated pianists of the 20th century, renowned as an interpreter of the keyboard works of Johann Sebastian Bach.His playing was distinguished by remarkable technical proficiency and a capacity to articulate the contrapuntal texture of Bach's ...
25 de ago. de 2007 · This bold attempt at domesticity may have marked the most intense chapter in Gould’s lifelong struggle with his demons. His phobias and pill-popping for a number of maladies, many of them ...
Glenn Herbert Gould ( Toronto, 25 de septiembre de 1932-Toronto, 4 de octubre de 1982), conocido como Glenn Gould, fue un pianista canadiense, reconocido como intérprete de la obra para teclado de Johann Sebastian Bach, así como de las obras pianísticas de Arnold Schönberg. 1 . Glenn Gould en 1946, con su periquito sobre la partitura y su ...
15 de mar. de 2017 · Leornad Bernstein (en la foto con Gould) reconoció en público su desacuerdo de tocar un pienza de Brahms y a la vez manifestó su admiración por el pianista. Era un genio. Una leyenda. Para muchos, el mejor pianista del siglo XX, admirado por Herbert von Karajan («su estilo abrió el camino del futuro», dijo de Gould), Yehudi Menuhin y ...
For example, to Robert Fulford, his childhood chum, Gould was “a confirmed bachelor at 13.” His friend Howard Engel, the mystery writer, thought most of his relationships to be pragmatic ones based on shared interests, rather than romantic partnerships. In fact, Gould had numerous long affairs with women, most of whom were artists themselves.
25 de sept. de 2018 · Sisters Susan Rayner and Heather Tucker grew up with Glenn Gould's first piano in their home. Their parents were close with Gould's mother and father, who first met during the 1930s. (Kenneth Chou ...
21 de sept. de 2020 · He might also now be hailed a musician for our times in a brave new COVID-19 world, as well as pioneering architect for ideals of social/physical distancing, as manifested through his equally fabled eccentricities. “In some ways,” wrote Edward Rothstein upon Gould’s death, “his entire life was an experiment in esthetic isolation.”.
