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28 de jul. de 2021 · In his monotypes, Degas is at his most modern, capturing the spirit of urban life, liberating drawing from tradition, depicting the body in daring ways, and engaging the possibilities of abstraction in unique landscapes.
26 de mar. de 2016 · In the mid-1870s, Degas was introduced to the monotype process—drawing in ink on a metal plate that was then run through a press, typically resulting in a single print. Captivated by the monotype’s potential, he immersed in the technique with enormous enthusiasm, taking the medium to radical ends.
Degas had a lively, scientific interest in a wide range of media, including engraving, monotype, and photography. Before 1880, he generally used oils for his completed works ( 2008.277 ), which were based on preliminary studies and sketches made in pencil or pastel.
22 de mar. de 2016 · MoMA curator Jodi Hauptman and conservator Karl Buchberg explore Degas’s monotype process with printmakers Andrew Mockler and Jennifer Marshall of Jungle Press Editions.
Degas undertook a series of landscape monotypes during a visit in October 1890 to the Burgundian estate of his friend, the artist Pierre-Georges Jeanniot. Over the course of the next two years, he made about fifty monotypes, a group of which he exhibited at the Durand-Ruel gallery in 1892.
27 de may. de 2016 · The origins of monotype can be traced back to the 17th century, and the medium was later revived in the 1870s by Edgar Degas, who pushed the technique to radical ends.
24 de mar. de 2016 · “Edgar Degas: A Strange New Beauty” is a large but thrillingly intimate exhibition centering on the artist’s monotypes — the most seductive of all print mediums — and their modernizing...
